![]() This unlinks the desired channels from that large Monitor Knob and sends a full Line Level volume. To confirm the output is at full line level, be sure to Shift+Click on the Monitor Enable Buttons for Channels 3 and 4 (turning them “grey”) just above the Monitor Knob on MixControl. This is identified by any line outputs set to “blue” with the H/W Control button engaged in the monitor section. With the Pro40, Liquid Saffire 56, and Scarlett 18i20, the monitor dial is a digital encoder that can allow control over multiple outputs. We also want to make sure that output 3 is sending full Line Level volume. Do the same for Line Output 4 and DAW 4 (see screenshot below). In Saffire/Scarlett MixControl, find Line Output 3 and set it to receive signal from DAW 3. The DAW output channels will need to be routed to the Physical Line Outs. Using Scarlett/Saffire Mix Control (1 st Gen: Scarlett 6i6, 8i6, 18i6, 18i8, 18i20. The additional line outputs available can be adjusted through the vertical slider if not already set to max (top most position). This means that the monitor knob on your interface will only adjust outputs 1-2 and will not affect the additional line outputs. ![]() To confirm the output is at full line level, go to the Device Settings section of Focusrite Control and make sure the Monitor Controls are set to adjust only outputs 1-2 (see screenshot below). (Note: for the 6i6 and 18i8, there are no monitor control options, so you can simply adjust the volumes with the gray vertical level sliders). If the monitor dial is set to control output 3, then output 3 may not be sending full line level volume. With the Clarett range and the Scarlett 18i20 2 nd gen, the monitor dial is a digital encoder that can allow control over multiple outputs. In the Output Routing section of Focusrite Control, find Line Outputs 3-4 and make sure they are set to receive signal from Playback 3-4 (see screenshot below). When using Focusrite Control (Scarlett 2 nd Gen: 6i6, 18i8, 18i20. Pro Tools also allows you to use the drop down triangles to name the individual channels differently if you prefer, rather than in pairs. The session only has a Mono Audio Channel to be processed, so you will just see "Lexicon.L" which is the Left Channel plugged into Input 3. Then in the Insert area of your Track you can add one or both channels. In the screenshot below you will see a named Insert for 3/4 Inputs "Lexicon" for a 2-channel Lexicon unit to be connected on Inputs 3/4. ![]() In Pro Tools go to Setup > I/O and make sure your Hardware Inserts are set up. Then, connect the output of your outboard gear to Line input 3 of your interface. Connect Line Output 3 from your interface to the Line Input of your outboard gear. ![]() Pro Tools will only use a Hardware Insert with the same Input and Output number, so you will likely want to use a channel 3, 4, 5, or 6, as 1/2 Outputs are typically used to connect Studio Monitors, and 7/8 and 9/10 are tied to the headphone outputs so you will want to leave these for the Main Mix as well.įirst, lets make sure your outboard gear is connected properly. Pro Tools has a feature called a "Hardware Insert" where you can use a piece of outboard gear similar to a plug-in, in the Insert Section of your Channel. Scarlett/Saffire Mix Control (Scarlett 1 st Gen: 6i6, 8i6, 18i6, 18i8, 18i20. Focusrite Control (Scarlett 2 nd Gen: 6i6, 18i8, 18i20. ![]()
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